Frank VIGNERON, Chair & Professor, Department of Fine Arts
Phil. D (Paris VII Denis Diderot), Phil. D (Paris IV Sorbonne), D.F.A (Royal Melbourne Institute of Technology)
Professor Vigneron received a Ph.D. in Chinese Art History from the Paris VII University, a Ph.D. in Comparative Literature from the Paris IV Sorbonne University and a Doctorate of Fine Arts from the Royal Melbourne Institute of Technology. He joined the Department of Fine Arts, CUHK in 2004, teaching courses on the History of Western Art, the theories of Modernism and Postmodernism in art, and Chinese and Western comparative aesthetics. His research focus is on the history of Chinese painting from the 18th century onwards and on different aspects of contemporary Chinese art seen in a global context. He is a member of the International Association of Art Critics Hong Kong and a Museum Expert Adviser for the Leisure and Cultural Services Department of the Hong Kong SAR. Professor Vigneron is also a practicing artist. He has held several solo exhibitions in Hong Kong and has taken part in local and international exhibitions.
‘Le Songe Creux,’ at 敬一书院 (杭州弧山一片云文化藝術中心), West Lake, Hangzhou, China. 13 October to 12 December 2019.
‘Le Songe Creux,’ organized by Lucie Chang Gallery, Art Central, Hong Kong, 27-31 March 2017.
‘Le Songe Creux,’ exhibition at ODRADEK, Brussels, Belgium, 10 March – 10 April 2017.
‘Le Songe Creux’, at Lucie Chang Fine Arts, Hong Kong. 26 May to 26 July 2016.
‘Le Songe Creux,’ Le Pont des Arts Gallery, Shanghai, 2011.
‘Le Songe Creux,’ MOCA China, Delay No Mall, Hong Kong, 2008.
‘Le Songe Creux,’ Invitational Exhibition, during the Graduation Show of the Fine Arts department. Hui Gallery, Sheng Ming Building, the Chinese University of Hong Kong, May-June 2005.
‘Le Songe Creux,’ Hong Kong Institute of Education, Hong Kong, 2005.
‘Le Songe Creux,’ Baptist University, during the French Festival. 08 to 19/03/2004. Wo Foo Foundation Amelia Lee Student Centre, Student Common Room. With a master class, ‘Le Songe Creux – Writing within the Blanks’, 15/03/2004.
‘Le Songe Creux,’ John Batten / Gallery, Hong Kong, 2004.
Le Songe Creux. John Batten / Gallery, Hong Kong, 2003.
Le Songe Creux / The Hollow Dream. John Batten / Gallery, Hong Kong, 1999.
‘Le Songe Creux,’ Hong Kong Institute of Education, Hong Kong, 1998.
‘Le Songe Creux,’ organized by John Batten / Gallery, Hong Kong Country Club, Hong Kong,
‘Le Songe Creux,’ Fringe Club, Hong Kong, 1997.
‘Writing Non-Writing: 2019 Hangzhou International Contemporary Calligraphy Festival’ (書非書: 2019 杭州國際現代書法藝術節), 12 to 24 October 2019, Art Museum of China Academy of Art (218 Nanshan Road, Hangzhou, Zhejiang, China) 中國美術學院美術館(浙江省杭州市南山路218 號).
Ink Brussels 2019. Advanced Research in Ink Art. 6-12 May 2019. Espace d’Architecture (Faculté d’Architecture, La Cambre Horta, 19 Place Flagey, Brussels, Belgium), Curatorial team: Kiran Katara, Lia Wei, Zhang Qiang, Simone Schuiten.
Frank Vigneron, Ho Siu Kee (韋一空，何兆基), Le Songe Creux + Mountain and Sea Series (想虛空+ 山水系列), curator: Frank Yang 楊鋒. Overseas Chinese Town (OCT) Boxes Museum (華僑城盒子美術館), Shunde 順德, Guangzhou 廣州, China. 10 August – 17 September 2018.
2017 Bi-City Biennale of Urbanism/Architecture (Shenzhen) 深港城市建築雙城雙年展(深圳), Luo Hu Sub-Venue 羅湖分展場, Shenzhen Industrial Station深圳工業站, 19 December 2017 – 15 March 2018.
Borrowed People, Curator, Francis Yu 余偉聯, 18 November-1 December 2017, AVA, Kowloon Tong, Hong Kong.
Ink Global 2017 全球水墨畫大展, 2017, 3-8 August 2017 Hong Kong Convention and Exhibition Center, Hong Kong.
‘Please Turn Over,’ short exhibition to coincide with the conference ‘The Art of the Book’ (https://scolarcardiff.wordpress.com/2015/08/13/cfp-art-of-the-book/), 4-6 December 2015, Cardiff Met University in the ‘HEARTSPACE”, Cardiff, Wales, UK.
‘Writing/Non-Writing: Position and Context’ “书非书——方位与境域”杭州国际书法艺术展, 2015 International Modern Calligraphy Exhibition, Hangzhou. Museum Of Contemporary Art, China Academy of Art中国美术学院美术馆. 8-22 May 2015.
Reproducing the Classic: The Experiment of Line and Ink. Koon Wai Bong & Frank Vigneron, part of Restoration (Taiwan) VS Appropriating the Classics (Hong Kong). am space, Hong Kong, 2014.
The 20th Taipei Art Fair International, Taipei World Trade Center, Taipei, 2013.
Hong Kong Painting On & On 3: Taciturn. gallery of the HKICC Lee Shau Kee School of Creativity, Hong Kong, 2013.
Fine Art Asia International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, 2013.
Open Books (traveling exhibition), National Library of Wales, Aberystwyth, Ceredigion, 2012. BayArt Gallery, Cardiff, 2012. Library of the University of Western England (UWE), Bristol, 2013. Sanshang Art Museum Hangzhou, China, 2013 – 2014. Logan Regional Gallery, Queensland, 2014. ADFA (Australian Defense Force Academy) Library, Canberra, 2014. Art Museum, The Chinese University of Hong Kong, Hong Kong, 2015. – Wenzhou Contemporary Art Museum 溫州當代美術館, China, 19 to 30 August 2015. – Library and Archives Canada, Ottawa, 28 September – 30 November 2016. – Lalit Kala Academy, Jaipur, Rajasthan, India, 9–28 January 2017. – Chu-Griffis Asian Art Collection, Connecticut College, New London, USA, November 2017.
Shanghai Art Fair, Le Pont des Arts Gallery, Shanghai, 2011.
Two Cities – The Third Shenzhen Hong Kong Ink Art Exchange Exhibition(organized by the Promotion Department of the Shenzhen Municipal Committee, the Shenzhen Municipal Cultural Association, the City Cultural Tourism Council, the Shenzhen Fine Art Institute, the Hong Kong Leisure and Cultural Services Department and the Hong Kong Arts Development Council). Hong Kong Central Library, Hong Kong, 2011. Shenzhen Fine Art Institute, Shenzhen, 2011.
Legacy and Creations—Ink Art vs. Ink Art. Hong Kong Museum of Art, Hong Kong, 2011.
The 7thInternational Ink Painting Biennial of Shenzhen – Hong Kong Ink Art.
Guan Shanyue Art Museum, Shenzhen, 2010 – 2011.
Co-curator (with Law Yuk Mui and Yim Sui Fong): ‘Our Everyday – Our Borders’, works by Tang Kwok Hin and Motoyuki Shitamichi, Tai Kwun Contemporary 大館 – 當代藝術, Tai Kwun Center for Heritage and Arts大館當代美術館, Hong Kong. 14 September 2018 – 31 October 2018.
Guest curator for ‘Dead Serious. Experimental comics from Belgium, France and Hong Kong’, in collaboration with professors from the Saint Luc Academy of Art in Brussels, Belgium. 3-14 April 2018, AM Space, Hong Kong.
Guest curator of The Hong Kong Jockey Club Presents: Light and Shadows. Caravaggio. The Italian Baroque Master exhibition of Caravaggio’s Supper at Emaus of 1606 with four Hong Kong artists (Tsang Kin-wah, Chow Chun-fai, Wucius Wong, So Hing-keung) sponsored by the Hong Kong Jockey Club, Asia Society Hong Kong, Hong Kong, 12 March – 13 April 2014
Guest curator for ‘Teaching and Healing’, Group Exhibition with Ho Siu-kee, Shi Jin-Hua, Wei Qing-Ji, 24 March to 20 May 2016, Lucie Chang gallery, Hong Kong.